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26

Mar

Who said youth don’t care? These youth not only care but they’re trying to move youth into action by using art as a tool. Pick up a TAHANAN Mag and find out how!

Who said youth don’t care? These youth not only care but they’re trying to move youth into action by using art as a tool. Pick up a TAHANAN Mag and find out how!

Get to know one of the uber talented writers behind the groundbreaking Youtube series Prison Dancer. Fellow PINOYS and fans, I’d like to re-introduce you to Romeo Candido.

Get to know one of the uber talented writers behind the groundbreaking Youtube series Prison Dancer. Fellow PINOYS and fans, I’d like to re-introduce you to Romeo Candido.

Proud to be PINOY! Yes, we’re in academia too and we’re doing it REAL BIG! Get to know one of the our very own bright stars, Patrick Alcedo and how he’s stormed those ivory towers at York University as a Fine Arts, Dance Professor!

Proud to be PINOY! Yes, we’re in academia too and we’re doing it REAL BIG! Get to know one of the our very own bright stars, Patrick Alcedo and how he’s stormed those ivory towers at York University as a Fine Arts, Dance Professor!

Do you like Casa Manila? Well get to know the woman behind the resto and check out how she’s incorporated art in her everyday life!

Do you like Casa Manila? Well get to know the woman behind the resto and check out how she’s incorporated art in her everyday life!

TAHANAN Magazine Spring 2012 Issue is out now!

The 2012 Spring issue of TAHANAN Mag is out and we’re talking about ART all year long!

Make sure you drop by your local Filipino Business and ask them where their TAHANAN MAGAZINE stack at and grab your copy today while they’re still around!

17

Feb

How does growing up in Canada as a Canadian of Filipino decent/Filipino-Canadian look like?On Saturday, March 3rd, in partnership with Kapisanan, FYTiC will be hosting an intimate showcase featuring Filipino Canadian spoken-word artists, playwrights, and visual artists. These artists will be showcasing artwork that speak to the research themes and what it means for them to grow up in Canada.You’re invited to take-part in this interactive arts event!

How does growing up in Canada as a Canadian of Filipino decent/Filipino-Canadian look like?

On Saturday, March 3rd, in partnership with Kapisanan, FYTiC will be hosting an intimate showcase featuring Filipino Canadian spoken-word artists, playwrights, and visual artists. These artists will be showcasing artwork that speak to the research themes and what it means for them to grow up in Canada.

You’re invited to take-part in this interactive arts event!

16

Dec

kamalayankonsciousness:

Join us THIS SUNDAY, 18 Dec @ 9pm, on Radyo Migrante (105.5fm / Rogers Cable 945 / Online http://  www.chry.fm/).  Hosted by Kamalayan’s Alex F.
My special guests will be Theresa Smith and Sarah Grzincic from Kamalayan’s “Brown is Beautiful” series of discussion groups. We will be discussing what it means to be a mixed race Filipino-Canadian.Considering how intensely confused Filipino-Canadians in general are about their identity, we want to discuss what this extra level of being from two blood cultures (plus a third national culture) has on individuals. This will be a whirlwind conversation covering topics from identity politics to how this unique personal identity relates to political worldview.How do mixed race people relate to ‘Filipino-ness’ (as well as the other half)? Do you consider yourselves Filipino? Does the ‘otherness’ around being mixed help or hurt your being relate to Filipino issues (migrant issues in Can, issues in the Philippines, etc)?—-Theresa Smith and Sarah Grzincic are both Master’s Student as OISE (Ontario Institute of Studies for Education). They are community educators who’ve created the Other Art Collective which strives to support expression of marginalized voices using an arts informed approach. For more on the Other Art Collective check out their blog: theotherartcollective.blogspot.com or follow them on twitter @otherartcollect

kamalayankonsciousness:

Join us THIS SUNDAY, 18 Dec @ 9pm, on Radyo Migrante (105.5fm / Rogers Cable 945 / Online http://  www.chry.fm/).  Hosted by Kamalayan’s Alex F.


My special guests will be Theresa Smith and Sarah Grzincic from Kamalayan’s “Brown is Beautiful” series of discussion groups. We will be discussing what it means to be a mixed race Filipino-Canadian.

Considering how intensely confused Filipino-Canadians in general are about their identity, we want to discuss what this extra level of being from two blood cultures (plus a third national culture) has on individuals. This will be a whirlwind conversation covering topics from identity politics to how this unique personal identity relates to political worldview.

How do mixed race people relate to ‘Filipino-ness’ (as well as the other half)? Do you consider yourselves Filipino? Does the ‘otherness’ around being mixed help or hurt your being relate to Filipino issues (migrant issues in Can, issues in the Philippines, etc)?

—-

Theresa Smith and Sarah Grzincic are both Master’s Student as OISE (Ontario Institute of Studies for Education). They are community educators who’ve created the Other Art Collective which strives to support expression of marginalized voices using an arts informed approach. For more on the Other Art Collective check out their blog: theotherartcollective.blogspot.com or follow them on twitter @otherartcollect

07

Dec

theparanoideccentric:

kamalayankonsciousness:

OFWs, Happiness, and Coke . [Or Why a Coca-Cola Advert is Short Circuiting My Brain]

Let’s get the obvious over with:  This is a FANTASTIC advertisement.  It has a strong emotional pull, high production values, and connects the product to family, struggle, and how hardship can be overcome by the simple things, like a Coca-Cola. 

Well done Coke.   [insert ironic soft clap here]

I hate this ad.  I hate it with a passion.  And it seems from a casual viewing of the comments related to this viral video, that I am somehow virtually alone in thinking this.

In the ad, Coke sends a handful of overseas foreign workers (OFWs) back to the Phils to reconnect with their families.  Its central message seems to be: Coke cares about the plight of OFWs.

And there for me is the disconnect. 

While I appreciate this piece of propaganda for what it is I know that in reality, instead of helping OFWs, Coca-Cola is actually part of the problem.  Like other multinational capitalistic ventures in the Philippines its policies are actually facilitating poverty and migration—in other words, Coke helps create the OFW phenomenon and therefore the ad is an insult. 

Moreover, I know that most viewers also know this to be true.  They may not know the specific details, but they know that multinationals have NOT been good for the majority of the people in the global south, including in the Philippines—so why all the love for the ad?

I want to explore this.

 

Coca-Cola has had a long history in the Philippines, its primary economic connection is tied to the Philippine sugar industry.  Coke bought Philippine sugar, and so indirectly supported the sugar haciendas that ‘employed’ Filipino peasant farmers.

Philippine sugar was one of the main reasons for the American invasion in 1899.  President McKinley was backed by The Sugar Trust, the 6th largest US corporation which controlled 98% of the sugar refining interests.  The RP economy was set up to supply American sugar needs with ‘locally’ produced sugar.  Before WWII sugar made up 60% of the value of all Philippine exports. 

At that time the industry supported over one million jobs (total RP population in 1939, 16 million).  Today that number is at best around the 500,000 mark (population today over 94mil).

The industry has been in decline since “independence” and then further in the 1960s with the development of the corn syrup (sugar still made up about 20% of RP exports).  The big crash began in the 1980s when Coke switched from sugar to corn syrup in its US product (it went down to 7% of RP exports), and it’s getting worse: just this past summer the RP sugar industry proposed a boycott of Coke for bypassing the Philippine sugar market all together. 

“As you may know, our province is very well-known as the sugar bowl of the Philippines and is very dependent on sugar industry…and recently, government agencies have found out that Coca-Cola has been deceiving them by importing millions of kilos of sugar… intentionally labeled as pre-mix sugar by coca-cola to escape from sugar tariff. This has been the cause why the sugar economy has been going down and definitely this will kill not only the planters and sugar workers, but the whole province as well…” [29 May  2011, Batang Negros]

The fall of the sugar industry alone (an industry created by the Americans to serve them and then simply abandoned when it was no longer useful) has resulted in very clear economic losses for the Philippines and its people. 

 

Look again at that timeline. 

The sugar industry began to fall apart in the 60s and intensified in the 80s to near collapse today.  What else happened in that period? 

Those were the decades that gave birth to the RP governments unofficial Labour Export Policy, a system that went into full gear in the 80s as a way to prop up the governments budget deficits.  A country that was set up to be an export of raw goods was financially desperate, so they became an exporter of people.  In 1984 around 350,000 OFWs left the country.  By 2006 over 1 million were migrant workers.

To me, this alone should be enough reason for the Filipino people to have negative feelings towards Coca-Cola and American economic policies.

But that isn’t the only ill brought upon us by the cola company. Coke has also been bottled in the country since 1912, and their presence has done nothing to improve the lives of everyday people.  The company is renowned across the global south as notorious for poor work conditions, and union busting to the point of using terror tactics to quiet unruly workers trying to organize*.  Just ask Ghay Portajada, who has been without her father Armando (who was president of the Coke worker’s union) since 1987 when he was abducted and never seen again.  

*for more information on Coke’s global human rights violations:  http://killercoke.org/

It is a combination of these factors that leads to today’s 4000 OFWs leaving the Philippines everyday:

The US came to the Philippines to create a cheap supply of raw materials (eg. sugar) and labour through the hacienda system.  By supporting and enlarging the hacienda system (which is a semi-feudal system of landlord and serfs) the US created a economy dependent on cheap exports.  This unequal political and economic system also requires large scale poverty.  ”Requires,” because poverty is necessary in order for a feudal system, and for cheap labour, to exist (no one would choose to be a serf if there were better options). 

Widespread poverty also helps to drive down the cost of labour for factories (like Coke’s).  Violent union busting also helps to keep costs low.  This violence is permissible (and necessary) because both the companies and the landowning elite who happen to also be the political class share similar interests.  Should the companies be inconvenienced then the elites lose the source of their money and power.

So with all this being clear, the question that remains is ‘why?’ 

Why do people (including OFWs themselves) love this advertisement so much?  Why does the clearly negative effect of Coca-Cola not translate, and instead they attribute a positive feeling to the ad and the product?

For this we will have to step back and examine the nature of modern advertising.

Think back to how ads looked in the early 20th century.  Back then it was obvious.  There are companies, there are consumers, and the companies had products that they wanted the people to purchase.  So ads advertised the virtues of the product: its price, its value, its usefulness. 

Coke began with advertising its health value (it was originally marketed as a medicine), then it advertised its taste and price point, and eventually this morphed into its advertising a lifestyle, a culture.  The product became detached from what was marketed.

Why?

It all began with a man named Edward Bernays, Sigmund Freud’s nephew.  He saw great value in his uncles studies into human psychology; he saw its value applied to wartime propaganda, and he rightly realized that it could be used in peacetime—for the benefit of corporations.

It was a time of great unrest.  People were calling for greater fairness and social equity.  Unions were mobilizing strong opposition to the status quo, and there was a need from the elites for a method to control the restless lower classes resulting from the industrial revolution.

Here is a clip from the excellent documentary ”The Century Of The Self” in it they explore Bernays immeasurable contribution to capitalist propaganda: http://www.youtube.com/watch?v=V0OrT-8gXMs

Bernays was the man with the answer.  He knew that through use of Freud’s theories you could manipulate thought, that it was possible to switch needs with desires in the minds of the people. 

Out of this would come the political idea of how to control the masses: satisfying inner selfish desires made people happy and thus docile.

That thought has been central to this, and to be honest, most Coke commercials in the Philippines.  Watch in these commercials how Coke links its product to hope, community, and charity:

http://www.youtube.com/watch?v=Ourx95ng5uk

http://www.youtube.com/watch?v=oiu9PcEyQ5Y

In these ads Coke is giving and kind, just like the Filipino people.  And yet the reality is vastly different.  But we watch these ads and we feel good, we feel hope, and we attribute it (subconsciously, if not outright) to Coca-Cola.

On the surface the Coke OFW ad is a feel good tear jerker, dig deeper and it’s an insult to reality, to the people, and the people and organizations that actually do care about the plight of OFWs.  In the end we feel good, but we are demoralized, and we are belittled.

If we are to look at this ad and honestly hear its message it would be: Coke cares enough about what you think of them that they mimed concern for OFWs—because either you, or at least someone you know is an OFW.  And if we think Coke cares, then we will forgive them, or at the very least, maybe we’ll forget their complicity and just go with it, because everyone else is.  And for OFWs it’s worse, because who knows better than an OFW how horrible it is to be separated from everyone you love?

All the while the reality of the company is bitter and dark.

 

So as I wrote to open this, “I hate this ad.  I hate it with a passion.”  It’s not because the ad isn’t good, I admit it is very well done.  It’s because the reality of this ad, this company, and capitalist system that it serves works against the very thing it’s advertising:  decency, justice, and the dignity of people.

Modern ads make us forget our true needs and replaces it with the feel good emptiness.  So I ask you all now: what truly are your needs?  What truly are your desires?  And does this ad, does this world system in which we live, give you any hope of reaching them?

For example, the real desires of most OFWs is NOT to be reunited with the homeland, with their families—it’s that they didn’t have to leave in the first place. 

We need to see that Coke and the system it represents is part of the problem: it helped expand and solidify the hacienda system and the powerful elite class that results from this semi-feudal system.  It supports the top down relationship with Western powers, taking away Philippine sovereignty through semi-colonialism/imperialism.

There are people and organizations out there that truly care about the people.  You yourself may be one of those people.  They took your desires and appropriated them for themselves.  See it for what it is: as yet one more insult to add to a long list.

alex felipe

BAYAN-Toronto spokesperson

*BAYAN (Bagong Alyansang Makabayan) is an anti-imperialist, multi-sectoral alliance struggling for true democracy and sovereignty in the Philippines.

*alex co-hosts a weekly radio program about Philippine issues on CHRY 105.5fm in Toronto [SUNDAYS, 9pm EST].  You can also listen around the world via the web:  www.chry.fm

What I find particularly disturbing and strange about this article is the way it was written (I have comments on its actual writing style, but I’ll add those in later.) Its seething contempt for capitalist society makes the writer seem like a constantly irritated anarchist, which is probably true. However, it isn’t always a pleasant experience reading angry people writing angry complaints about topics that make people even angrier. There are reasons why Internet trolls exist and thrive on negative energy.  Emotion, even in the form of an article, is highly infectious. The writer attempts to incite rebellion and action, but all he does is make people angrier, grumpier and generally more unpleasant to be around.

This trend of false cynicism (the actual definition of the term “cynic,” which has its roots in early Greek philosophy, has been warped from so much misuse that we have forgotten what it really means to be a cynic,) in social media distresses me, to a certain extent. I have always been one to follow the outspoken and the bold and those who stood for what they believed in. I look to Carlos Celdran and Gang Badoy, both of them inspired by thought and opinion, rise to action and spark waves of revolutionary brilliance in the youth. They act on what they believe in. They stand against something but do positive things in order to create change.  What I felt was lacking in this thoroughly researched and passionately written piece is a resolution for the reader. All I can see towards the end of the piece is “International conglomerates and western bureaucracies are evil,” and “Don’t believe in mass media.” These are valid opinions, but their negative nature just asks for even just a vague resolution to take it back from the depths of the nether realms. It states that Coke is bad but doesn’t ask us to do anything save for hate Coke and all other groups like it. It isn’t enough to ask people to be angry, because people already are. We just need to act.

One of the other issues I have with this piece (which is a bit more personal) is the fact that he states that he hates the ad because Coke made it and it goes against what Coke really is. It feels like saying that directors such as Lars Von Trier and Woody Allen, who are both luminaries in the field of cinematic art, make bad movies because they are morally dubious people. Yes we can dislike them all we want, but we cannot drag something that is genuinely good down just because we have good reason to hate the people behind the camera. I am aware that advertising, by its very nature is attached to the brand but the people behind the branding aren’t the people hovering over our country like a dank smog.  I take a little offense from the article both as an aspiring director and as a young creative because the hatred directed at Coca-Cola is also indirectly pointed at the creatives behind the ad. Hate a company all you want (I have a personal vendetta against SM) but leave the creatives out of it. Write another article about how you hate the ad, not just what it represents (or apparently doesn’t.) I may be overreacting at this point and I apologize if I am, but I can only imagine getting this much slack (even if indirectly) because I helped make a nice ad.

As an aside, I did also notice the actual writing style of the writer. I know it’s supposed to be interesting and witty but the [insert ironic clapping] part was just a little too contrived. I have a feeling that he does more speaking than he does writing (it shows in his choice of words, regardless of the copious amounts of research in the thing.) But that’s just because I’m a writer and I notice this kind of thing. There is a much bigger issue that we have just begun to tackle.

18

Nov

kamalayankonsciousness:

Our History. Our Stories.
A collection of images and stories from Philippine history, with a focus on our history of struggle from foreign control.  Click HERE or on the photo to be taken to the album.
*this is an album in progress, new additions weekly.   

kamalayankonsciousness:

Our History. Our Stories.

A collection of images and stories from Philippine history, with a focus on our history of struggle from foreign control.  Click HERE or on the photo to be taken to the album.

*this is an album in progress, new additions weekly.   




Friday, November 25, 2011




Time
6:30pm until 9:00pm



Where
The Central , 603 Markham Street
Description
* FREE EVENT * * Food and beverages can be purchased from the bar * At Kamalayan’s first Brown is Beautiful! Series Part 1 event, we briefly learned about the history of colonialism in order to understand how it continues to affect our personal lives as Filipino/Filipina-Canadians. We talked about issues of racialization and standards of beauty and how these issues are tied to larger systems of power that work together to influence the way we see ourselves, each other, and how non-Filipinos see us.For Part 2 of the Series, let’s talk stereotypes! Are we “more hard working” because we are Asian? When people say, “Too Asian”, who are they talking about? Are Filipino women better at “caregiving”? Who is more exotic: Filipino women or “Mestiza” (Half Filipino/Mixed race) women? Are Filipino men really that “soft”? More importantly, why do these questions even exist?Part of the work to reclaim that brown is beautiful is to be able to confront socially constructed notions of who Filipino and Filipina-Canadians are by interrogating and unpacking problematic stereotypes about us. In doing so, as Filipino-Canadians WE get to say what it means to be brown and Filipino/ Filipina-Canadian and what this looks like in our lives.Join the discussion!!

    • Friday, November 25, 2011
    • Time
      6:30pm until 9:00pm
Where
The Central , 603 Markham Street
Description
* FREE EVENT * 
* Food and beverages can be purchased from the bar * 

At Kamalayan’s first Brown is Beautiful! Series Part 1 event, we briefly learned about the history of colonialism in order to understand how it continues to affect our personal lives as Filipino/Filipina-Canadians. We talked about issues of racialization and standards of beauty and how these issues are tied to larger systems of power that work together to influence the way we see ourselves, each other, and how non-Filipinos see us.

For Part 2 of the Series, let’s talk stereotypes! Are we “more hard working” because we are Asian? When people say, “Too Asian”, who are they talking about? Are Filipino women better at “caregiving”? Who is more exotic: Filipino women or “Mestiza” (Half Filipino/Mixed race) women? Are Filipino men really that “soft”? More importantly, why do these questions even exist?

Part of the work to reclaim that brown is beautiful is to be able to confront socially constructed notions of who Filipino and Filipina-Canadians are by interrogating and unpacking problematic stereotypes about us. In doing so, as Filipino-Canadians WE get to say what it means to be brown and Filipino/ Filipina-Canadian and what this looks like in our lives.



Join the discussion!!